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Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
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Scheller, Jörg |
Metalmorphosen Die unwahrscheinlichen Wandlungen des Heavy Metal |
2020 |
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Vincent, David; McIver, Joel |
I am Morbid: ten lessons learned from extreme metal, outlaw country, and the power of self-determination |
2020 |
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Anselmi, J.J. |
Doomed to fail: the incredibly loud history of doom, sludge, and post-metal |
2020 |
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Patterson, Dayal |
Black Metal: Into The Abyss |
2020 |
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Höpflinger, Anna-Katharina |
Religiöse Codes in der Populärkultur: Kleidung der Black Metal-Szene |
2020 |
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Pichler, Peter |
Metal Music, Sonic Knowledge, and the Cultural Ear in Europe since 1970 A Historiographic Exploration |
2020 |
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Migeon-Lambert, Camile |
Translations, adaptations, quotations from Baudelaire’s poetry into metal music: an anti-alchemy? |
2020 |
Punctum. International Journal of Semiotics |
6 |
221-242 |
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Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Rivera-Segarra, Eliut (eds) |
Heavy metal music in Latin America: perspectives from the distorted south |
2020 |
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Stratton, Jon |
KISS: Jewishness, hard rock and the Holocaust |
2020 |
Metal Music Studies |
6 |
277-297 |
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|
Jackson, Itay |
From ”The Fading” to ”Scream with Me Never Again!”: Shoah and Jewish identity in Israeli and US metal |
2020 |
Metal Music Studies |
6 |
299-318 |
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