|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Kinnunen, Maarit; Honkanen, Antti |
Femininity in metal fanship: “I do not need to take anyone along” |
2021 |
Metal Music Studies |
7 |
211-235 |
|
|
Kolesnik, Alexandra S. |
Стальные воины: репрезентация машин и техники в британском хеви-метале 1980-х годов [Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s] |
2021 |
Художественная культура |
4 |
362-381 |
|
|
Korczyński, Tomasz Michał |
The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects |
2021 |
Journal of Modern Science |
46 |
73-91 |
|
|
Kosek, Jakub |
Transfigurations of the “Emploi” and Artistic Manifestations of Female (Heavy) Metal Singers |
2021 |
Annales Universitatis Paedagogicae Cracoviensis |
13 |
35-46 |
|
|
Lind, Tore Tvarnø |
Til Opalsøens Dyb ”To the Depths of Opal Lake”: On Bereavement, Locality, and Intimacy in Danish Black Metal Lyrics by Orm |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
133-150 |
|
|
Lind, Tore' Tvarno |
Heart of Sadness: Fieldwork in the Copenhagen Black Metal Undergrounds |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
Lozano, Juan Ignacio; Martínez Reina, Matías |
El consumo problemático de drogas en la lírica del heavy metal argentino |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
78-89 |
|
|
Lucas, Olivia R. |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
2021 |
Music Theory Online |
27 |
s.p. |
|
|
Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
|
|
Lucas, Olivia R. |
Light Shows as Public, Vernacular Music Theory |
2021 |
The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory |
|
s.p. |
|