| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Cárdenas Azuaje, Diana María |
MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ |
2021 |
Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad |
|
355-393 |
| Chaker, Sarah |
Im Höllen-Labyrinth des Metal |
2021 |
Die Hölle der Spätmoderne: Überlegungen zu Praktiken und Funktionen beständiger Jenseitsadressierung in einer dunklen Musikkultur |
|
319-342 |
| Doesburg, Charlotte |
Of heroes, maidens and squirrels: Reimagining traditional Finnish folk poetry in metal lyrics |
2021 |
Metal Music Studies |
7 |
317-333 |
| Sabbath, Juan |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
2021 |
|
|
312 |
| Mora-Rioja, Arturo |
“We Are the Dead”: The War Poets, metal music and chaos control |
2021 |
Metal Music Studies |
7 |
299-315 |
| Apter, Jeff |
Bad Boy Boogie: The true story of AC/DC legend Bon Scott |
2021 |
|
|
296 |
| Hannan, Calder |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
2021 |
Metal Music Studies |
7 |
277-297 |
| Dinali, Wescely |
(ENTRE) Educações: crust punk, arte de viver e e e... |
2021 |
Diálogos com a música extrema |
|
264-284 |
| Šporčič, Anamarja; Pesek, Gašper |
Local Folk Tales, Legends, and Slavic Mythology in Slovenian Heavy Metal Lyrics: A Quantitative Analysis |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
263-282 |
| Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
