| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Verne, Markus |
Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar |
2021 |
Die Handlungsmacht ästhetischer Objekte |
|
167-196 |
|
|
|
Córdoba, Jesús Antonio; Cuchivague, Karen Ortiz |
Female participation in Colombian metal: An initial approach |
2021 |
Metal Music Studies |
7 |
159-170 |
|
|
|
Farrugia, Karl |
I Custodi dell’Accaio Inox: Language as an Interface Between the Global and the Local in Italian |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
153-170 |
|
|
|
Scienza, Roberto |
O antipátria: ensaio de uma transvaloração dos valores no Black Metal |
2021 |
Diálogos com a música extrema |
|
153-220 |
|
|
|
Epp, André |
Heavy metal as a profession?: The Mexican heavy metal scene and its effects as an informal and non-formal learning space |
2021 |
Metal Music Studies |
7 |
149-158 |
|
|
|
Suran, Tiziano |
Beyond the Expression of Nihilism in Black Metal |
2021 |
Studia Polensia |
10 |
141-148 |
|
|
|
Pelayo, Marisol Pérez |
Building “communitas” through symbolic performances: Mexican metal and the case of Cemican |
2021 |
Metal Music Studies |
7 |
139-148 |
|
|
|
Overell, Rosemary |
Voicing the Real in Extreme Metal |
2021 |
Continental Thought & Theory |
3 |
136-163 |
|
|
|
Lind, Tore Tvarnø |
Til Opalsøens Dyb ”To the Depths of Opal Lake”: On Bereavement, Locality, and Intimacy in Danish Black Metal Lyrics by Orm |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
133-150 |
|
|
|
Núñez, María de la Luz |
The stones sing: The mestizo metal music of Kay Pacha and Yana Raymi |
2021 |
Metal Music Studies |
7 |
129-138 |
|
