| Author |
Title |
Year |
Publication  |
Volume |
Pages |
| Karjalainen, Toni-Matti |
Afterword – From a Campfire to the Global Stage: A Conversation with Tuomas Holopainen of Nightwish |
2021 |
Made in Finland: studies in popular music |
|
|
| Maguire, Donald |
Determinants of the number of heavy metal musicians per capita |
2021 |
Metal Music Studies |
7 |
1-41 |
| Martínez, Susana González; Varas-Díaz, Nelson |
Heavy metal music as communal intervention: Experiences and challenges in the context of the metal-academia dyad in Jaén, Spain |
2021 |
Metal Music Studies |
7 |
7-26 |
| Hedge Olson, Benjamin |
Burzum shirts, paramilitarism and National Socialist Black Metal in the twenty-first century |
2021 |
Metal Music Studies |
7 |
27-42 |
| Thomson, Andrew |
Right hand up, left hand down: The New Satanists of rock n’ roll, evil and the underground war on the abject |
2021 |
Metal Music Studies |
7 |
43-60 |
| Brown, Andy R. |
Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980‐91: Part one 1980‐85 |
2021 |
Metal Music Studies |
7 |
61-84 |
| Taylor, Steve |
Channelling the darkness: Group flow and environmental expression in the music of Black Sabbath and Joy Division |
2021 |
Metal Music Studies |
7 |
85-102 |
| Panayotov, Stanimir |
Black noise ruins: Notes after Locrian’s Rain of Ashes |
2021 |
Metal Music Studies |
7 |
103-114 |
| Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Rivera-Segarra, Eliut |
Metal music studies in Latin America: Extending the depth of field |
2021 |
Metal Music Studies |
7 |
115-117 |
| González Hernández, José Omar |
Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia |
2021 |
Metal Music Studies |
7 |
119-128 |
