| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Mora-Rioja, Arturo |
“We Are the Dead”: The War Poets, metal music and chaos control |
2021 |
Metal Music Studies |
7 |
299-315 |
|
|
|
Doesburg, Charlotte |
Of heroes, maidens and squirrels: Reimagining traditional Finnish folk poetry in metal lyrics |
2021 |
Metal Music Studies |
7 |
317-333 |
|
|
|
Burns, Lori A.; Armstrong, Patrick |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
2021 |
Metal Music Studies |
7 |
357-382 |
|
|
|
Deacon, David |
“Another Version of the Truth”: The politics of affect and the externalization of threat in Trent Reznor’s Year Zero |
2021 |
Metal Music Studies |
7 |
383-397 |
|
|
|
Rietveld, Hillegonda C.; Monroe, Alexei |
Gabber: Raising hell in technoculture |
2021 |
Metal Music Studies |
7 |
399-421 |
|
|
|
Thomas, Niall |
Innovation and tradition in metal music production |
2021 |
Metal Music Studies |
7 |
423-443 |
|
|
|
Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
|
|
|
Hudson, Stephen S. |
Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics |
2021 |
Metal Music Studies |
7 |
475-478 |
|
|
|
Córdoba, Jesús |
Metaleras feministas (Feminist Metalheads) |
2021 |
Metal to the Bone |
|
1-4 |
|
|
|
Trafford, Simon |
Amon Amarth Make Mead! Alcohol consumption, masculinity, and the modern Viking |
2021 |
Middle Ages without borders: A conversation on Medievalism |
|
|
|
