| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Swist, Jeremy J. |
Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music |
2021 |
İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! |
|
200-229 |
|
|
|
Korczyński, Tomasz Michał |
The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects |
2021 |
Journal of Modern Science |
46 |
73-91 |
|
|
|
Swiniartzki, Marco |
Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) |
2021 |
Journal of Popular Music Studies |
33 |
168-193 |
|
|
|
Messick, Kyle J. |
Metal for the masses: How indie metal labels have adapted for the digital era |
2021 |
La route vers l'indépendance. L'industrie musicale en transition |
|
|
|
|
|
Birnie-Smith, Jess; Robertson, Wesley C. |
Superdiversity and translocal brutality in Asian extreme metal lyrics |
2021 |
Language & Communication |
81 |
48-63 |
|
|
|
Pérez Pelayo, Marisol |
El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal |
2021 |
Lenguas Radicales |
1 |
7-18 |
|
|
|
Banchs, Edward |
From The Ashes of the Fallen Empire: Heavy Metal and Community in Post-Apartheid South Africa |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Hoad, Catherine |
Polar Fate: Mapping Metal at the Southern Edge of the World |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Hecter, Pierre; Mattsson, Douglas |
The Enemy Within: Conceptualizing Turkish Metalheads as the Ideological “Other” |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
St. Laurent, Mei-Ra |
“Métal noir épique patriotique”: Analysis of historical, sociological and cultural discourses uniting metal noir québécois and Québec society |
2021 |
Living Metal: Metal Scenes around the World |
|
|
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