| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Rietveld, Hillegonda C.; Monroe, Alexei |
Gabber: Raising hell in technoculture |
2021 |
Metal Music Studies |
7 |
399-421 |
|
|
|
Beauchamp, Caroline |
Gender and Extreme Metal: Understanding Gender Relations in the Montreal Extreme Metal Scene With Schippers' Gender Framework |
2021 |
|
|
|
|
|
|
Hannan, Calder |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
2021 |
Metal Music Studies |
7 |
277-297 |
|
|
|
Jordan, James Boddington |
Harmonic Structures of 21st Century Heavy Metal |
2021 |
|
|
|
|
|
|
Swist, Jeremy J. |
Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music |
2021 |
İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! |
|
200-229 |
|
|
|
Lind, Tore' Tvarno |
Heart of Sadness: Fieldwork in the Copenhagen Black Metal Undergrounds |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Epp, André |
Heavy metal as a profession?: The Mexican heavy metal scene and its effects as an informal and non-formal learning space |
2021 |
Metal Music Studies |
7 |
149-158 |
|
|
|
Karjalainen, Toni-Matti |
Heavy Metal in Estonia: Cohesions and Divisions, Past and Present |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Brown, Andy R. |
Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980‐91: Part one 1980‐85 |
2021 |
Metal Music Studies |
7 |
61-84 |
|
|
|
Brown, Andy R. |
Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91 |
2021 |
Metal Music Studies |
7 |
257-276 |
|
