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Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Taylor, Steve |
Channelling the darkness: Group flow and environmental expression in the music of Black Sabbath and Joy Division |
2021 |
Metal Music Studies |
7 |
85-102 |
|
|
|
Brown, Andy R. |
Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980‐91: Part one 1980‐85 |
2021 |
Metal Music Studies |
7 |
61-84 |
|
|
|
Thomson, Andrew |
Right hand up, left hand down: The New Satanists of rock n’ roll, evil and the underground war on the abject |
2021 |
Metal Music Studies |
7 |
43-60 |
|
|
|
Hedge Olson, Benjamin |
Burzum shirts, paramilitarism and National Socialist Black Metal in the twenty-first century |
2021 |
Metal Music Studies |
7 |
27-42 |
|
|
|
Martínez, Susana González; Varas-Díaz, Nelson |
Heavy metal music as communal intervention: Experiences and challenges in the context of the metal-academia dyad in Jaén, Spain |
2021 |
Metal Music Studies |
7 |
7-26 |
|
|
|
Valijärvi, Riitta-Liisa; Doesburg, Charlotte; DiGioia, Amanda (eds) |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics |
2021 |
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|
|
Migeon-Lambert, Camille |
Stéréotypes néo-romantiques de l'artiste Metal : le cas Lindemann |
2021 |
Identités de l'artiste – Pratiques, représentations, valeurs |
|
63-82 |
|
|
|
Gamble, Steven |
How Music Empowers: Listening to Modern Rap and Metal |
2021 |
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|
|
|
|
|
Hoad, Catherine |
Heavy Metal Music, Texts, and Nationhood: (Re)sounding Whiteness |
2021 |
|
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|
Kennedy, Lewis F. |
Intersections of genre, heritage and place un the New Wave of American Heavy Metal |
2021 |
Music and Heritage: New Perspectives on Place-making and Sonic Identity |
|
126-135 |
|
