| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Garza, Jose M. |
Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music |
2021 |
Music Theory Online |
27 |
n.p. |
|
|
|
Córdoba, Jesús |
Metaleras feministas (Feminist Metalheads) |
2021 |
Metal to the Bone |
|
1-4 |
|
|
|
Bona, Michelle |
Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture |
2021 |
|
|
|
|
|
|
Suran, Tiziano |
Beyond the Expression of Nihilism in Black Metal |
2021 |
Studia Polensia |
10 |
141-148 |
|
|
|
Vunić, Krešimir |
Milton Goes (Progressive-Power) Metal: Symphony X and Milton’s “Paradise Lost” (Critique and Textual Analysis) |
2021 |
Studia Polensia |
10 |
115-139 |
|
|
|
Špoljarić, Bernard |
The Goat-God Motif in Heavy Metal Music: The Relevance and Meaning of the God Pan in the Black Metal Project – Arckanum |
2021 |
Studia Polensia |
10 |
87-114 |
|
|
|
Jakić, Ivan; Beroš, Marin |
Nenormalnost ili o potrazi za identitetnim osnovama heavy metala [Abnormality or the search for heavy metal's fundamental identity] |
2021 |
Studia Polensia |
10 |
73-86 |
|
|
|
Radovanović, Bojana |
Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies |
2021 |
Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity |
|
97-110 |
|
|
|
Barajas, Jhon Edison |
Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal |
2021 |
|
|
|
|
|
|
Overell, Rosemary |
Voicing the Real in Extreme Metal |
2021 |
Continental Thought & Theory |
3 |
136-163 |
|
