| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Messick, Kyle J. |
Music Industry in Crisis: the Impact Of a Novel Coronavirus on Touring Metal Bands, Promoters, and Venues |
2021 |
The Societal Impacts of Covid-19: A Transnational Perspective |
|
93-108 |
|
|
|
Maguire, Donald |
Determinants of the number of heavy metal musicians per capita |
2021 |
Metal Music Studies |
7 |
1-41 |
|
|
|
Garcia, Marcelo Velloso; Gama, Vítor Castelões |
Brazilian native metal and the experience of transculturation |
2021 |
Metal Music Studies |
7 |
171-177 |
|
|
|
Córdoba, Jesús Antonio; Cuchivague, Karen Ortiz |
Female participation in Colombian metal: An initial approach |
2021 |
Metal Music Studies |
7 |
159-170 |
|
|
|
Epp, André |
Heavy metal as a profession?: The Mexican heavy metal scene and its effects as an informal and non-formal learning space |
2021 |
Metal Music Studies |
7 |
149-158 |
|
|
|
Pelayo, Marisol Pérez |
Building “communitas” through symbolic performances: Mexican metal and the case of Cemican |
2021 |
Metal Music Studies |
7 |
139-148 |
|
|
|
Núñez, María de la Luz |
The stones sing: The mestizo metal music of Kay Pacha and Yana Raymi |
2021 |
Metal Music Studies |
7 |
129-138 |
|
|
|
González Hernández, José Omar |
Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia |
2021 |
Metal Music Studies |
7 |
119-128 |
|
|
|
Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Rivera-Segarra, Eliut |
Metal music studies in Latin America: Extending the depth of field |
2021 |
Metal Music Studies |
7 |
115-117 |
|
|
|
Panayotov, Stanimir |
Black noise ruins: Notes after Locrian’s Rain of Ashes |
2021 |
Metal Music Studies |
7 |
103-114 |
|
