| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
González Hernández, José Omar |
Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia |
2021 |
Metal Music Studies |
7 |
119-128 |
|
|
|
Núñez, María de la Luz |
The stones sing: The mestizo metal music of Kay Pacha and Yana Raymi |
2021 |
Metal Music Studies |
7 |
129-138 |
|
|
|
Pelayo, Marisol Pérez |
Building “communitas” through symbolic performances: Mexican metal and the case of Cemican |
2021 |
Metal Music Studies |
7 |
139-148 |
|
|
|
Epp, André |
Heavy metal as a profession?: The Mexican heavy metal scene and its effects as an informal and non-formal learning space |
2021 |
Metal Music Studies |
7 |
149-158 |
|
|
|
Córdoba, Jesús Antonio; Cuchivague, Karen Ortiz |
Female participation in Colombian metal: An initial approach |
2021 |
Metal Music Studies |
7 |
159-170 |
|
|
|
Garcia, Marcelo Velloso; Gama, Vítor Castelões |
Brazilian native metal and the experience of transculturation |
2021 |
Metal Music Studies |
7 |
171-177 |
|
|
|
Hoad, Catherine |
Heavy Metal Music, Texts, and Nationhood: (Re)sounding Whiteness |
2021 |
|
|
|
|
|
|
Hill, Rosemary Lucy |
When love and critique collide: Methodology ontology fandom and standpoint in metal research |
2021 |
Metal Music Studies |
7 |
197-210 |
|
|
|
Kennedy, Lewis F. |
Intersections of genre, heritage and place un the New Wave of American Heavy Metal |
2021 |
Music and Heritage: New Perspectives on Place-making and Sonic Identity |
|
126-135 |
|
|
|
Garza, Jose M. |
Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music |
2021 |
Music Theory Online |
27 |
n.p. |
|
