Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
| Herbst, Jan-Peter; Mynett, Mark |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
2022 |
Rock Music Studies |
t.b.c. |
|
| Hernández Parra, Sergio Isaac |
“NO SOMOS CHAPULINES”. LA ESTIGMATIZACIÓN DE LA PRÁCTICA MUSICAL METAL COMO VIOLENTA A FINALES DEL SIGLO XX EN COSTA RICA |
2022 |
Metal de Habla Hispana |
1 |
67-73 |
| Hill, Rosemary Lucy |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
2022 |
Samples. Open Access Journal for Popular Music Studies |
20 |
197-210 |
| Hudson, Stephen S. |
Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music |
2022 |
Music Theory Spectrum |
44 |
s.p. |
| Hurley, Gavin F. |
Funeral doom metal as the rhetoric of contemplation: A Burkean perspective |
2022 |
Metal Music Studies |
8 |
69-85 |
| James, Kieran Edmond; Walsh, Rex John |
Masculinity and underground music scene participation across time: A case study from Indonesia |
2022 |
Metal Music Studies |
8 |
29-46 |
| Khalil, Lucas Martins Gama |
Metal extremo enquanto prática discursiva: modos de difusão, vocação enunciativa e ritos genéticos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
221-244 |
| Koplow Villavicencio, Jan |
Aproximación a la relación entre la escena metalera chilena y los pueblos originarios Mapuche, Selk’nam y Kawésqar |
2022 |
Contrapulso – Revista Latinoamericana De Estudios En Música Popular |
4 |
78-93 |
| Koplow Villavicencio, Jan |
Más que gritos y distorsión: el metal chileno ante la crisis ecológica y el modelo económico extractivista |
2022 |
Lenguas Radicales |
1 |
42-51 |
