Author  |
Title |
Year |
Publication |
Volume |
Pages |
Gutiérrez, Julio César |
Imágenes Reflejo del Ajayu del Under Boliviano |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
201-242 |
Hann, Michael |
Denim and Leather: The Rise and Fall of the NWOBHM |
2022 |
|
|
|
Hannan, CalderCalder |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
2022 |
Music Theory Online |
28 |
s.p. |
Herbst, Jan-Peter |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
2022 |
Metal Music Studies |
8 |
109-126 |
Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
Herbst, Jan-Peter; Mynett, Mark |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
2022 |
Rock Music Studies |
t.b.c. |
|
Hernández Parra, Sergio Isaac |
“NO SOMOS CHAPULINES”. LA ESTIGMATIZACIÓN DE LA PRÁCTICA MUSICAL METAL COMO VIOLENTA A FINALES DEL SIGLO XX EN COSTA RICA |
2022 |
Metal de Habla Hispana |
1 |
67-73 |
Hill, Rosemary Lucy |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
2022 |
Samples. Open Access Journal for Popular Music Studies |
20 |
197-210 |
Hudson, Stephen S. |
Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music |
2022 |
Music Theory Spectrum |
44 |
s.p. |
Hurley, Gavin F. |
Funeral doom metal as the rhetoric of contemplation: A Burkean perspective |
2022 |
Metal Music Studies |
8 |
69-85 |