Author |
Title |
Year |
Publication |
Volume |
Pages |
García Castiblanco, Norma; Cáceres Parra, Jórge |
Voces Resonantes Memoria y Resistencia. Metal en Colombia: Memorias de violencia y resistencia para la No Repetición. |
2022 |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
1 |
48-49 |
Banchs, Edward |
Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa |
2022 |
|
|
|
Hudson, Stephen S. |
Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music |
2022 |
Music Theory Spectrum |
44 |
s.p. |
Varas-Díaz, Nelson; Hickam, Brian; González-Martínez, Susana; Castañeda, Mario; Galicia Poblet, Fernando; Nieves Molina, Alfredo; Scaricaciottoli, Emiliano |
“Toda la sangre formando un río”. Contributions to the histories of metal music studies from the Spanish-speaking world |
2022 |
Metal Music Studies |
8 |
47-68 |
Valijärvi, Riitta-Liisa |
Cultural trauma in the lyrics of the Estonian folk metal band Metsatöll |
2022 |
Metal Music Studies |
8 |
7-27 |
James, Kieran Edmond; Walsh, Rex John |
Masculinity and underground music scene participation across time: A case study from Indonesia |
2022 |
Metal Music Studies |
8 |
29-46 |
Hurley, Gavin F. |
Funeral doom metal as the rhetoric of contemplation: A Burkean perspective |
2022 |
Metal Music Studies |
8 |
69-85 |
Gibson, Dylan Lawrence |
Mechanical and artificial “nü-horror metal”: The film music of “Resident Evil” |
2022 |
Metal Music Studies |
8 |
87-108 |
Herbst, Jan-Peter |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
2022 |
Metal Music Studies |
8 |
109-126 |
Büttner, Christoph A.; Wehmeier, Henrik |
Ein Film aus dem Ruhrgebiet? Deindustrialisierungsgeschichte(n) und Körperpolitiken des Metals in “Thrash, Altenessen” |
2022 |
ffk Journal |
7 |
15-36 |