| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Kruk, Jessica; Robertson, Wesley C. |
An annotated interview with Beastwars: Language, identity and place in New Zealand metal |
2023 |
Perfect Beat |
22 |
s. p. |
|
|
|
Kjellander Hellqvist, Eva |
”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] |
2023 |
HumaNetten |
50 |
76-91 |
|
|
|
Jordan, Jamie Boddington; Herbst, Jan-Peter |
Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres |
2023 |
Metal Music Studies |
9 |
27-58 |
|
|
|
James, Kieran |
Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality |
2023 |
Music in Crime, Resistance, and Identity |
|
52-62 |
|
|
|
Hudson, Stephen S. |
Song form and storytelling in mainstream metal |
2023 |
Metal Music Studies |
9 |
7-26 |
|
|
|
Hoffin, Kevin |
The Norwegian Black Metal Second Wave |
2023 |
|
|
27-38 |
|
|
|
Hoad, Catherine |
Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness” |
2023 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Herbst, Jan-Peter (ed) |
The Cambridge Companion to Metal Music |
2023 |
|
|
320 |
|
|
|
Hamma, Amine; Trott, Brian |
Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
369-386 |
|
|
|
Goossens, Didier |
Reclaiming Aotearoa: Stories of Experimentation, Education, and Reflection in Aotearoa Indigenous Metal Music |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
67-90 |
|
