Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Núñez, María de la Luz |
Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas |
2023 |
UCOARTE. Revista De Teoría E Historia Del Arte |
12 |
236–260 |
| Pérez Pelayo, Marisol |
The Legacy of the Sun: Cemican, Mesoamerican instruments, and their materiality in metal music |
2023 |
Riffs: Experimental Writing on Popular Music |
7 |
7-21 |
| Pichler, Peter |
To the sources! On historical source criticism in metal studies |
2023 |
Popular Music History |
15 |
54–77 |
| Plazola Meza, Eduardo |
La “cultura metalera” en el sur de Jalisco, México |
2023 |
Pluralidad cultural y artes identitarias regionales |
|
9-32 |
| Prown, Pete |
Ultimate Heavy Metal Guitars: The Guitarists Who Rocked the World |
2023 |
|
|
192 |
| Putu Tangkas Adi Hiranmayena |
“FIX YOUR FACE”: Performing Attitudes between Mathcore and Beleganjur |
2023 |
Sounding Out the State of Indonesian Music |
|
306-319 |
| Rahadianto Sutopo, Oki; Aryo Lukisworo, Agustinus |
Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
351-368 |
| Reina, Carlos |
Prólogo |
2023 |
Perspectivas y Resistencias Musicales |
1 |
5-16 |
| Reis Alecrim, Thales |
PRIMITIVE FUTURE: Metal, Tempo e Neoliberalismo na Produção Musical do Sepultura (1989) |
2023 |
História e Cultura |
12 |
175-197 |
| Romero Kuljis, Regina María |
Influencias -Tranculturalidad e Identidades de las bandas underground de la ciudad de La Paz en la época de los 90 |
2023 |
Perspectivas y Resistencias Musicales |
1 |
81-118 |
