Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Nevárez Araújo, Daniel; Manuel Gagneux |
Misusing Things in Metal Music: A Dialogue |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
201-218 |
| Nevárez Araújo, Daniel; Susane Hécate |
An Interview on “Contar/Cantar Memórias da Resistência” |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
189-200 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
1-6 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Metal Music in the Distorted South: A Call for Defiance and Reflection |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
9-30 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Epilogue: Metal Unbound |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
387-390 |
| Nink, Theresa; Heesch, Florian |
Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs |
2023 |
Arts |
12 |
38 |
| Núñez, María de la Luz |
Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas |
2023 |
UCOARTE. Revista De Teoría E Historia Del Arte |
12 |
236–260 |
| Olavarría Ginocchio, Ricardo |
Expanding the Notion of National Music: The Case of the Album Testimonios by the Peruvian Metal Group Kranium |
2023 |
Passport to Hell. Critical Studies on Peruvian Metal |
|
|
| Pérez Pelayo, Marisol |
The Legacy of the Sun: Cemican, Mesoamerican instruments, and their materiality in metal music |
2023 |
Riffs: Experimental Writing on Popular Music |
7 |
7-21 |
| Pichler, Peter |
Is metal (still) a subculture? Considerations from the perspective of cultural history |
2023 |
Metal Music Studies |
9 |
|
