Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Turley, Julie; Jocson-Singh, Joan |
Heavy Music Mothers: Extreme Identities, Narrative Disruptions |
2023 |
|
|
152 |
| van Doesburg, Eline |
The Rejection and Redemption of Technology in Black Metal |
2023 |
|
|
|
| Varas-Díaz, Nelson; Kobi Farhi |
The Alternative Side of the Frame: A Dialogue on Southern Inspirations |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
219-226 |
| Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Decolonizing the Mind’s Eye: Images of Resistance in Caribbean Metal Music |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
327-350 |
| Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
| Walch, Florian |
Extreme Metal Across the Digital Divide: Music, Technology, Genre |
2023 |
|
|
301 |
| Wallach, Jeremy |
REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist |
2023 |
Sounding Out the State of Indonesian Music |
|
162-179 |
| Yildirim, Yavuz |
Heavy metal in Turkey: Tracking the tensions of democratization in the 1990s |
2023 |
Sociology Compass |
17 |
e13122 |
| Yusof, Azmyl; Johan, Adil |
“Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s) |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
259-280 |
| Zulfiningrum, Rahmawati; Almayda, Sabian Ray Dhista |
Metal Music as a Medium of Da'wah Communication (Album “7:172” Band Purgatory) |
2023 |
Riwayat: Educational Journal of History and Humanities, |
6 |
468-477 |
