| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes |
2023 |
Poetics |
99 |
101803 |
| Yildirim, Yavuz |
Heavy metal in Turkey: Tracking the tensions of democratization in the 1990s |
2023 |
Sociology Compass |
17 |
e13122 |
| El Harami, Said; Yachoulti, Mohammed |
Youth Heavy Metal Bands in Morocco: Resistance and the Struggle for Change |
2023 |
ESI Preprints |
|
742-777 |
| Glasper, Ian |
Silence Is No Reaction: Fort Years of Subhumans |
2023 |
|
|
640 |
| Martínez, Susana González |
Enseñar a transgredir: Metal feminista, a través de la investigación-acción participativa, como herramienta artística de liberación y pedagógica en el aula |
2023 |
|
|
528 |
| Batista, Marcelo R. |
United Forces: An Archive of Brazil's Raw Metal Attack, 1986-1991 |
2023 |
|
|
528 |
| Zulfiningrum, Rahmawati; Almayda, Sabian Ray Dhista |
Metal Music as a Medium of Da'wah Communication (Album “7:172” Band Purgatory) |
2023 |
Riwayat: Educational Journal of History and Humanities, |
6 |
468-477 |
| Artcore, Welly |
Nefarious Artists: The Evolution and Art of Punk Rock, Post-punk, New Wave, Hardcore Punk and Alternative Rock Compilation Record, 1976-1989 |
2023 |
|
|
428 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Epilogue: Metal Unbound |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
387-390 |
| Hamma, Amine; Trott, Brian |
Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
369-386 |
