| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Banchs, Edward; Tshomarelo “Vulture” Mosaka |
|
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
227-232 |
| Friconnet, Guillaume |
A k-means clustering and histogram-based colorimetric analysis of metal album artworks: The colour palette of metal music |
2023 |
Metal Music Studies |
9 |
77-100 |
| Kruk, Jessica; Robertson, Wesley C. |
An annotated interview with Beastwars: Language, identity and place in New Zealand metal |
2023 |
Perfect Beat |
22 |
s. p. |
| González-Martínez, Susana |
An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
33-66 |
| Nevárez Araújo, Daniel; Susane Hécate |
An Interview on “Contar/Cantar Memórias da Resistência” |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
189-200 |
| Banchs, Edward |
Ancient, Evil, and African: Heavy Metal and Conflict in East Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
283-302 |
| Garrett, Ryan D. |
Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995 |
2023 |
|
|
|
| Calvo, Manuela Belén |
Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
163-186 |
| Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Decolonizing the Mind’s Eye: Images of Resistance in Caribbean Metal Music |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
327-350 |
| Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
