| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Berger, Harris M. |
”Aspects du death metal”. Affect, objet et vécu social de la musique |
2006 |
Volume! La revue des musiques populaires |
5 |
31-51 |
|
|
|
Berger, Harris M. |
Metal, rock, and jazz: perception and the phenomenology of musical experience |
1999 |
|
|
|
|
|
|
Berger, Harris M. |
Death metal tonality and the act of listening |
1999 |
Popular Music |
18 |
161-178 |
|
|
|
Berger, Harris M. |
The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer |
1997 |
Ethnomusicology; Champaign |
41 |
464-488 |
|
|
|
Berger, Harris M.; Fales, Cornelia |
”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features |
2005 |
Wired for sound: engineering and technologies in sonic cultures |
|
181-197 |
|
|
|
Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. |
Affective overdrive, scene dynamics, and identity in the global metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
3-33 |
|
|
|
Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. (eds) |
Metal rules the globe: heavy metal music around the world |
2011 |
|
|
|
|
