| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Clinton, Esther; Wallach, Jeremy |
“United We Never Shall Fall”: Metal and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
9-22 |
|
|
|
Clinton, Esther; Wallach, Jeremy |
Talking Metal: The Social Phenomenology of Hanging Out |
2016 |
Heavy Metal Music and the Communal Experience |
|
37-56 |
|
|
|
Clinton, Esther; Wallach, Jeremy |
Recoloring The Metal Map: Metal And Race In Global Perspective |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
274-282 |
|
|
|
Hickam, Brian; Wallach, Jeremy |
Female Authority and Dominion: Discourse and Distinctions of Heavy Metal Scholarship |
2011 |
Journal for Cultural Research |
15 |
255-277 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Epilogue: Metal Unbound |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
387-390 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Metal Music in the Distorted South: A Call for Defiance and Reflection |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
9-30 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
1-6 |
|
|
|
Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
|
|
|
Wallach, Jeremy |
REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist |
2023 |
Sounding Out the State of Indonesian Music |
|
162-179 |
|
|
|
Wallach, Jeremy |
Global Rock as Postcolonial Soundtrack |
2020 |
The Bloomsbury Handbook of Rock Music Research |
|
469-485 |
|
