|
Ables, M. (2016). Wild Side: Self-Styling and the Aesthetics of Metal in the Music Videos of Mötley Crüe. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 99–108). New York & London: Routledge.
|
|
|
Annegg, F. (2018). You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene. Ph.D. thesis, Universität Wien, Vienna.
|
|
|
Barratt, C. (2016). Death Symbolism in Metal Jewellery: Circuits of Consumption from Subculture to the High Street. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 227–244). New York & London: Routledge.
|
|
|
Bartosch, R. (2015). Poetik der Provokation. ”Metal Studies”, ästhetische Wertung und das Spiel mir Bedeutungen in den Songtexten von Hanzel und Gretyl, Cradle of Filth und Rammstein. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 59–76). Trier: Wvt.
|
|
|
Berg, A., Gulden, T., Hjort af Ornäs, V., Pavel, N., & Sjøvoll, V. (2015). The Metal T-Shirt: Transmedia Storytelling In Products. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 174–184). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
|
|
|
Blessin, J. R. (2010). Modalities of the avant-garde: the aesthetic role of light in the parallax of Alexander Scriabin’s opera ”Mysterium” and heavy metal performance. In N. Scott (Ed.), The metal void: first gatherings (pp. 301–330). Oxford: Inter-Disciplinary Press.
|
|
|
Bogue, R. (2004). Becoming Metal, Becoming Death. In Deleuze’s Wake: Tributes and Tributaries (pp. 83–108). New Yoork: SUNY Press.
|
|
|
Brown, A. R. (2007). Rethinking the Subcultural Commodity : Exploring Heavy Metal T-Shirt Culture(s). In P. Hodkinson, & W. Deicke (Eds.), Youth Cultures: Scenes, Subcultures and Tribes (pp. 63–78). London: Routledge.
|
|
|
Cardwell, T. (2022). Heavy Metal Armour: A Visual Study of Battle Jackets. Bristol: Intellect.
|
|
|
Cardwell, T. (2017). Battle jackets, authenticity and ‘material individuality’. Metal Music Studies, 3(3), 437–458.
|
|