Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
| Åshede, Linnea; Foka, Anna |
Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
97-114 |
| Boyarin, Shamma |
The New Metal Medievalism: Alexander the Great, Islamic historiography and Nile’s ”Iskander Dhul Kharnon” |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
81-92 |
| Campbell, Iain |
From Achilles to Alexander: the Classical world and the world of metal |
2009 |
Heavy metal music in Britain |
|
111-124 |
| Crofton-Sleigh, Lissa |
Heavy Metal Dido: Heimdall’s “Ballad of the Queen” |
2019 |
Classical Antiquity in Heavy Metal Music |
|
115-130 |
| Djurslev, Christian Thrue |
The Metal King: Alexander the Great in heavy metal music |
2014 |
Metal Music Studies |
1 |
127-141 |
| Fletcher, Kris |
The Metal Age: The Use of Classics in Heavy Metal Music |
2015 |
Amphora |
12 |
1,-8 |
| Fletcher, Kris F.B. |
Vergil’s Aeneid and Nationalism in Italian Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
23-52 |
| Fletcher, Kris F.B.; Umurhan, Osman |
Introduction: Where Metal and Classics Meet |
2019 |
Classical Antiquity in Heavy Metal Music |
|
1-22 |
| Fletcher, Kris; Umurhan, Osman (eds) |
Classical Antiquity in Heavy Metal Music |
2019 |
|
|
|
