|
|
Gilmour, M. J. (2012). Raging against the Machine: Tom Morello’s Nightwatchman Persona and the Sound of Apocalypse-Inspired Schadenfreude. In C. Partridge (Ed.), Anthems of Apocalypse: Popular Music and Apocalyptic Thought. Sheffield: Sheffield Phoenix Press.
|
|
|
|
Goldhammer, R. (2017). After the apocalypse: Identity and legitimacy in the postdigital heavy metal subculture. Metal Music Studies, 3(1), 135–144.
|
|
|
|
Granholm, K. (2012). Metal, the End of the World, and Radical Environmentalism: Ecological Apocalypse in the Lyrics of Earth Crisis. In C. Partridge (Ed.), Anthems of Apocalypse: Popular Music and Apocalyptic Thought. Sheffield: Sheffield Phoenix Press.
|
|
|
|
Hunt-Hendrix, H. (2012). Transcendental Black Metal A Vision of Apocalyptic Humanism. In T. Howells (Ed.), Black Metal: Beyond the Darkness. Black Dog Publishing.
|
|
|
|
Taylor, L. W. (2009). Images of human-wrought despair and destruction: social critique in Briitish apocalyptic and dystopian metal. In G. Bayer (Ed.), Heavy metal music in Britain (pp. 89–110). Surrey: Ashgate.
|
|
|
|
Till, R. (2012). Metal and the Beast: The adoption of apocalyptic imagery in heavy metal music. In C. Partridge (Ed.), Anthems of Apocalypse: Popular Music and Apocalyptic Thought. Sheffield: Sheffield Phoenix Press.
|
|
