Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Aldis, Neil; Sherry, James |
Heavy metal thunder: album covers that rocked the world |
2006 |
|
|
|
| Bahy, Cristiane |
Lugar de mulher é onde ela quiser inclusive no metal extremo: mulheres, metal extremo, transgressão e resistência |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
75-93 |
| Baltazar, Lídia Maria Ferrão |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
2013 |
|
|
216 |
| Barchi, Rodrigo |
Infer(ce)no na música extrema: das ecologias e das trevas nas capas de álbuns grindcore |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
314-343 |
| Barratt-Peacock, Ruth; Hagen, Ross (eds) |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
2019 |
|
|
|
| Barron, Lee |
Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth |
2024 |
Fashion, Style & Popular Culture |
Online first |
|
| Barski, Kamil Sławomir |
Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku [Black metal as a continuation of romanticism? About the figure of the artist and the attitude to nature as the roots of the genre] |
2023 |
Świat i Słowo [World and Word] |
41 |
325-345 |
| Bechtold, Gernot |
Die Heavy Metal Kultur in bildender Kunst und Musik: Fachwissenschaftliche und fachdidaktische Aspekte |
2008 |
|
|
|
| Bouschet, Gast; Hilbert, Nadine |
1558-2016 |
2016 |
Helvete: A Journal of Black Metal Theory |
3 |
63-72 |
| Burkhardt, Guga |
Arte extrema para olhos atentos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
187-202 |
