Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Apter, Jeff |
Bad Boy Boogie: The true story of AC/DC legend Bon Scott |
2021 |
|
|
296 |
| Collinson, Ian |
‘This is the Funeral of the Earth’: The ‘Dead-end’ Environmental Discourses of Australian Ecometal |
2019 |
Australian Metal Music |
|
129-144 |
| Fischer-Giffin, Brian J. |
The Australian metal guide |
2004 |
|
|
|
| Glitsos, Laura |
“Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community |
2020 |
Popular Music and Society |
43 |
93-113 |
| Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
| Hoad, Catherine |
Critical Introduction: What is ‘Australian’ about Australian Heavy Metal? |
2019 |
Australian Metal Music |
|
1-18 |
| Hoad, Catherine |
We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal |
2016 |
|
3 |
90-107 |
| Hoad, Catherine |
Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
300-308 |
| Hoad, Catherine (ed) |
Australian Metal Music |
2019 |
|
|
|
| Kruk, Jess; Robertson, Wesley C. |
Peripheral Linguistic Brutality: Metal Languaging in the Asia Pacific |
2025 |
|
|
288 |
