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Apter, J. (2021). Bad Boy Boogie: The true story of AC/DC legend Bon Scott. Australia: Allen & Unwin.
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Collinson, I. (2019). ‘This is the Funeral of the Earth’: The ‘Dead-end’ Environmental Discourses of Australian Ecometal. In C. Hoad (Ed.), Australian Metal Music (pp. 129–144). London: Emerald.
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Fischer-Giffin, B. J. (2004). The Australian metal guide. Berlin: IP-Verl. Jeske, Mader.
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Glitsos, L. (2019). Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime. In C. Hoad (Ed.), Australian Metal Music (pp. 91–110). London: Emerald.
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Glitsos, L. (2020). “Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community. Popular Music and Society, 43(1), 93–113.
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Hoad, C. (2015). Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 300–308). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Hoad, C. (2019). Critical Introduction: What is ‘Australian’ about Australian Heavy Metal? In C. Hoad (Ed.), Australian Metal Music (pp. 1–18). London: Emerald.
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Hoad, C. (Ed.). (2019). Australian Metal Music. London: Emerald.
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Oldham, P. ’N. ’. (2019). Heavy Metal Kids: A Historiographical Exploration of Australian Proto-Heavy Metal in the 1960s–1970s. In C. Hoad (Ed.), Australian Metal Music (pp. 19–36). London: Emerald.
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Overell, R. (2010). Brutal belonging in Melbourne’s grindcore scene. In N. K. Denzin (Ed.), Studies in Symbolic Interaction. Vol. 35 (pp. 79–99). Emerald.
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