Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Baulch, Emma |
Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene |
2003 |
Popular Music; Cambridge |
22 |
195-215 |
| Bayer, Gerd |
Metal documentaries: the national, the global, and the cosmopolitan |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Brown, Andy R.; Spracklen, Karl; Kahn-Harris, Keith; Scott, Niall W.R. |
Introduction: Global Metal Music and Culture and Metal Studies |
2016 |
Global metal music and culture: current directions in metal studies |
|
1-21 |
| Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith (eds) |
Global metal music and culture: current directions in metal studies |
2016 |
|
|
|
| Castillo Bernal, Stephen |
¡Invierte la cruz invertida! Primeras apreciaciones sobre el metal cristiano mexicano. |
2020 |
Etnomusicología y globalización: Dinámicas cosmopolitas de la música popular. |
|
113-134 |
| Chu, Meng Tze |
L’ontologie de l’identité métalleuse face ? la mondialisation: généalogie imaginaire, réseau solidaire |
2012 |
|
|
|
| Clinton, Esther; Wallach, Jeremy |
Recoloring The Metal Map: Metal And Race In Global Perspective |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
274-282 |
| Cooper, Gabriel |
Die lustige Globalisierung des Metals und seine düstere Zukunft in der Zeichentrickserie Metalocalypse |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
89-106 |
| Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
| DeHart, Cameron |
Metal by numbers: Revisiting the uneven distribution of heavy metal music |
2018 |
Metal Music Studies |
4 |
559-571 |
