Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Abarza Baumann, Marcos |
Historia & concepto del black metal |
2011 |
|
|
|
| Abbott, Helen; Ardrey, Caroline |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
2018 |
Esprit Créateur; Baltimore |
58 |
130-143 |
| Addergebroed |
Addergebroed Book II: 2021 – 2024 |
2024 |
|
|
|
| Addergebroed |
Addergebroed Book I: 2011 – 2021 and Beyond |
2021 |
|
|
192 |
| Aesthetic Transcendence |
Trine + Kim Design Studio |
2012 |
Black Metal: Beyond the Darkness |
|
|
| Akimov, Ruslan |
Dungeon Synth: The Rebirth of the Legend |
2022 |
|
|
120 |
| Almer, Jiří; Ondřej, Daniel |
“666 XXX”: Sexploitation in Czech and Slovak Black Metal and Porno-Gore Grind |
2018 |
Časopis za kritiko znanosti, domišljijo in novo antropologijo (Journal for the Critique of Science, Imagination, and New Anthropology) |
XLVI |
199-214 |
| Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
| Azevedo, Cláudia |
É para ser escuro! – codificações do Black Metal como gênero audiovisual |
2009 |
|
|
|
| Barron, Lee |
Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth |
2024 |
Fashion, Style & Popular Culture |
Online first |
|
