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Aberback, B. (2011). Black Sabbath: pioneers of heavy metal. Berkeley Heights, NJ: Enslow.
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Arp, R. (2012). Stop Stereotyping Sabbath: Sex, Subjugation, and Stupidity. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 182–189). West Sussex: John Wiley & Sons.
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Asturias, M. (2009). Black Sabbath: cuatro décadas entre el cielo y el infierno, 1969-2009. Llinars del Vallès: Quarentena.
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Barnett, B. A. (2017). Black Sabbath’s pioneering lyrical rhetoric: Tragic structure and cathartic potential in song narratives. Metal Music Studies, 3(1), 81–96.
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Bondarchuk, J. (2012). It ’ s Not Sabbath Unless Ozzy ’ s the Singer (But It ’ s Fine If You Disagree). In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 113–125). West Sussex: John Wiley & Sons.
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Bremer, M., & Cohnitz, D. (2012). Saint Vitus Dance: The Art of Doom. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 87–95). West Sussex: John Wiley & Sons.
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Christiansen, E. (2012). Wicked World: The Politics of the Supernatural in Black Sabbath. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 151–162). West Sussex: John Wiley & Sons.
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Conway, K. P., & McGrain, P. (2016). Understanding Substance Use and Addiction Through the Lyrics of Black Sabbath: A Content Analysis. Substance Use & Misuse; Philadelphia, 51(12).
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Cope, A. L. (2010). Black Sabbath and the Rise of Heavy Metal Music. Farnham & Burlington: Ashgate.
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Cope, A. L. (2013). Black Sabbath. L’essor de la musique Heavy Metal. Camion blanc.
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