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Rosario-Luna, R. (2025). Puya como origen del Metal afrocaribeño: inicios de un análisis musical. AULA Revista de Humanidades y Ciencias Sociales, 72(1).
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Varas-Díaz, N., & Nevárez Araújo, D. (2023). Decolonizing the Mind’s Eye: Images of Resistance in Caribbean Metal Music. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 327–350). London: Lexington Books.
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Varas-Díaz, N., & Rivera-Segarra, E. (2014). Heavy metal music in the Caribbean setting: politics and language at the periphery. In E. J. Abbey, & C. Helb (Eds.), Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music (pp. 73–90). Lanham: Lexington Books.
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Varas-Díaz, N., & Rivera-Segarra, E. (2014). Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery. In E. J. Abbey, & C. Helb (Eds.), Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music (pp. 73–90). Lanham: Lexington Books.
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Varas-Díaz, N., Mendoza, S., & Morales, E. (2016). Porous Communities: Critical Interactions between Metal Music and Local Culture in the Caribbean Context. In N. Varas-Díaz, & N. Scott (Eds.), Heavy Metal Music and the Communal Experience (pp. 101–124). Lanham, Boulder, New York & London: Lexington Books.
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Varas-Díaz, N., Rivera-Segarra, E., Mendoza, S., & González-Sepúlveda, O. (2014). On your knees and pray! The role of religion in the development of a metal scene in the Caribbean island of Puerto Rico. International Journal of Community Music, 7(2), 243–257.
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