|
(2004). Apocalyptic unbound: An interpretation of Christian Speed/Thrash Metal Music. In G. N. Lundskow, & C. M. Brown (Eds.), Religious Innovation in a Global Age: Essays on the Construction of Spirituality (pp. 117–137). Jefferson: McFarland.
|
|
Abraham, I. (2015). Innovation And Standardization In Christian Metalcore: The Cultural Influences Of Church And Market. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 465–473). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
|
|
Brown, C. M. (1995). Musical responses to oppression and alienation: Blues, spirituals, secular thrash, and Christian thrash metal music. International Journal of Politics, Culture, and Society, 8(3), 439–452.
|
|
Esser, G. (1994). Zur Hölle mit dem Teufel: die geheiligten Kämpfer des White Metal. Der evangelische Erzieher, 46(2), 161.
|
|
Hjelm, T., Kahn-Harris, K., & LeVine, M. (Eds.). (2013). Heavy metal: controversies and countercultures. Bristol: Equinox.
|
|
Jousmäki, H. (2011). Epistemic, interpersonal, and moral stances in the construction of us and them in Christian metal lyrics. Journal of Multicultural Discourses, 6(1), 53–66.
|
|
Jousmäki, H. (2013). Dialogicality and Spiritual Quest in Christian Metal Lyrics. Journal of Religion and Popular Culture; Toronto, 25(2), 273–286.
|
|
Lattimer, P. T. -. (2012). Sacred Metalcore: A worship, culture, & missiology study of the Christian metal scene. Ph.D. thesis, Ashland University, Ohio.
|
|
Luhr, E. (2005). Metal Missionaries to the Nation: Christian Heavy Metal Music, ”Family Values,” and Youth Culture, 1984-1994. American Quarterly; College Park, 57(1), 103–128.
|
|
Moberg, M. (2008). The internet and the construction of a transnational Christian metal music scene. Culture and Religion, 9(1), 81–99.
|
