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Bayer, G. (Ed.). (2019). Heavy metal at the movies. London & New York: Routledge, Taylor & Francis Group.
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Christol, F. (2019). Heavy metal carnival: ”Trick or Treat” and the cultural figure of the foolkiller. In G. Bayer (Ed.), Heavy metal at the movies. London & New York: Routledge, Taylor & Francis Group.
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Girard-Despraulex, E. (2023). Immersion and metal music videos: Aspects of Maori culture in ‘Kai Tangata’ and ‘Hatupatu’. Perfect Beat: The Asia-Pacific Journal of Research into Contemporary Music and Popular Culture, 22(1), 43–63.
Abstract: "Music videos are designed, filmed and edited to magnify the musical experience, and, when well-used, contribute to making artists stand out. With the evolution of media and technology, ‘localness’ can be broadcast worldwide, and folklore, culture and traditions are at the heart of many metal groups’ preoccupations.
By making their culture a central part of their music, Alien Weaponry’s success has resulted in the Maori culture, history and legends achieving international recognition in the metal music world. ‘Kai Tangata’ and ‘Hatupatu’, the music videos directed by Alex Hargreaves, operate to further represent elements of Maori culture, by adding a visual dimension to Alien Weaponry’s use of te reo Maori, the Maori language. Using formal and comparative aesthetical analyses, reinforced by a theoretical approach, the use of immersion in this representation will be discussed.
Firstly, the representation of the characters in the videos and their role in the narration will be analysed. Secondly, the affect and the dynamism brought by the rhythm and the structure of music and images will be examined. And finally, the representation of bodies, gestures and rituality will be analysed, as a representation of the Maori culture, meant for both Maori and non-Maori people."
(SOURCE: https://journal.equinoxpub.com/PB/article/view/23754)
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Gulgas, S., & Hassam, N. (2019). Inviting vampires into the home: MTV aesthetics and the portrayal of youth and heavy metal culture in ”The Lost Boys” and ”Queen of the Damned”. In G. Bayer (Ed.), Heavy metal at the movies. London & New York: Routledge, Taylor & Francis Group.
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McPadden, M. (2014). Heavy metal movies: guitar barbarians, mutant bimbos & cult zombies amok in the 666 most ear- and eye-ripping big scream films ever. Brooklyn: Bazillion Points.
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Neplokh, V. (2022). Metal som filmmusik i actionkomedi [Metal as Film Music in Action Comedy]. Master's thesis, Högskolan Dalarna, Falun.
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Rolland, G. (2018). Le heavy metal au cinéma : de Spinal tap ? Rob Zombie. Rosières-en-Haye: Camion blanc.
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Wulff, H. J., & Bruns, K. (2012). Rocksploitation: Rockmusiker im Trash-, Horror- und Splatterfilm. Medienwissenschaft, Hamburg : Berichte und Papiere, 10(130), 1–24.
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