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Avelar, I. (2011). Otherwise national: locality and power in the art of Sepultura. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 135–160). Durham: Duke University Press.
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Banchs, E. (2016). Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity. Metal Music Studies, 2(3), 311–324.
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Barone, S. (2015). Metal Identities In Tunisia: Locality, Islam, Revolution. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 185–194). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Belén Calvo, M. (2018). Indigenista perspectives in Argentine metal music. Metal Music Studies, 4(1), 155–163.
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Boyarin, S., Saguar García, A., Christensen, A., & Swinford, D. (2019). The Politics and Poetics of Metal’s Medieval Pasts. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 71–80). London: Emerald.
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Brown, A. R., Spracklen, K., Scott, N. W. R., & Kahn-Harris, K. (Eds.). (2016). Global metal music and culture: current directions in metal studies. New York & London: Routledge.
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Burns, R. G. H. (2008). German symbolism in rock music: national signification in the imagery and songs of Rammstein. Popular Music; Cambridge, 27(3), 457–472.
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Calvo, M. (2014). Diálogos que construyen un modo de nacionalismo argentino en el metal pesado argento de Almafuerte. In M. C. Dalmagro, & A. Parfeniuk (Eds.), Tensiones, tránsitos y desplazamientos. Reflexiones desde una perspectiva comparatística (pp. 120–137). Córdoba: Buena Vista Editores.
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Calvo, M. B. (2016). Almafuerte: Metal pesado argento and its construction of Argentinian nationalism. Metal Music Studies, 2(1), 21–38.
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Calvo, M. B. (2018). Perspectiva indigenista en la música metal de Argentina. Metal Music Studies, 4(1), 147–154.
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