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Alarcón Ruiz, J. C. (2017). CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017. Bachelor's thesis, Federico Villarreal National University, Lima, República del Perú. Retrieved October 18, 2026, from http://repositorio.unfv.edu.pe/bitstream/handle/UNFV/3804/UNFV_Alarc%C3%B3n%20Ruiz_Juan%20Carlos_T%C3%ADtulo%20Profesional_Antropolog%C3%ADa_2019.pdf?sequence=1&isAllowed=y
Abstract: This research deals with the origin and development of the culture of Metal music in the city of Lima, and how adolescents of that time began the construction of a musical scene and the construction of an identity as individuals and as a community. The initial development of this urban culture took place during the 1980s, a period that was disastrous for Peru, where there was a chaotic context at the political, social level; economic; terror, suffering and above all uncertainty about the future. Between the bombs, death and destruction – facts generated by armed movements – the culture of Metal began to take shape, having as protagonists this group of adolescents; largely as rebellion and rejection about what they had to live. It was a society they did not want to be in. Based on different cultural manifestations (bands, fanzines, concerts, organizations) they began to build their own world, culture and identity. This identity is revaluated and becomes more powerful today when compared with the new generations of metalheads; who, based on the use of technology and a generally more favorable context, also try to participate in this urban culture.
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Beckmayer, S. (2024). “Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal. Praktische Theologie, 59(1), 58–65.
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Biamonte, N., & Cain, J. (2025). The Tool Album as Gesamtkunstwerk. In C. Anderton, & L. Burns (Eds.), The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 415–430). Routledge Music Handbooks. Oxfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
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Boman, B. (2026). Masks In Music and Film: Perspectives from the West and East Asia. London, U.K.: Palgrave Macmillan Cham.
Abstract: "The book is about the multiple meanings and instances of masks (and makeup which seems to have a mask-like function such as in Kiss, many black metal bands, and Insane Clown Posse) within popular culture, specifically films and music. While mainly focusing on the Western contexts, there will also be examples from other regions and cultural contexts such as Japan and Korea.
Each chapter offers an in-depth analysis of a particular work(s) or artist/band rather than just name dropping mainstream and obscure work that many scholars, unfortunately, do. The study in its entirety belongs to cultural studies and the interpretive sciences. The target audience consists of other academic researchers, students and the broader audience of people who are interested in film and music (e.g., fans)."
<< Björn Boman is a researcher in education, political science, cultural studies and psychology, known for his multidisciplinary work which spans several and intersecting disciplines, inclusive of film and music. Apart from a PhD in education from Stockholm University he has carried out postdoctoral work in political science. Currently, he is affiliated with the Department of Political Science at Stockholm University. He has also acquired a master's degree in religious studies and studied the Korean language and culture, as well as, for example, Russian history and politics at Stockholm University. >>
[source: https://link.springer.com/book/10.1007/978-3-032-16978-5]
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Bryson, B. (1996). ”Anything but heavy metal”: Symbolic exclusion and musical dislikes. American Sociological Review; Washington, 61(5), 884.
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Bukszpan, D. (2023). Ozzy at 75: The Unofficial Illustrated History.. London; New York; Hong Kong: Motorbooks, an imprint of The Quarto Group.
Abstract: (SOURCE: https://www.amazon.com/Ozzy-75-Unofficial-Illustrated-History/dp/076037743X )
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Bukszpan, D. (2024). Rush at 50. London; New York City; Hong Kong: Motorbooks, an imprint of The Quarto Group.
Abstract: << A beautifully produced, photo-packed celebration of the beloved rock trio, Rush at 50 examines the history of the Canadian rockers through the lens of 50 milestone events and an illustrated gatefold timeline.
Formed in Toronto in 1968, Rush became one of the most popular and best-selling bands in rock history, thanks to their tireless effort and imaginative, ever-evolving music. This richly illustrated and entertainingly written book from Rush expert and music journalist Dan Bukszpan pays tribute to the trio on the 50th anniversary of their debut album by curating and examining 50 of the most significant milestones in their career.
Bukszpan covers everything down through the decades:
– The band’s formation by bassist Geddy Lee and guitarist Alex Lifeson in suburban Toronto and their early gigs and tours opening for the likes of Kiss;
– Their breakthrough in the United States thanks to a Cleveland DJ;
– The role of co-founding drummer John Rutsey;
– Rush’s early Led Zeppelin–influenced efforts and their breakthrough, 2112;
– The band’s ever-evolving musical style through the 1970s and 1980s;
– The controversial influence of novelist Ayn Rand on Neil Peart’s lyrics;
– Geddy Lee’s instantly recognizable vocal style;
– Recording sessions with various producers in Wales, Quebec, and elsewhere
In examining 50 touchstones, Buszpan presents a unique look at Rush’s career arc from Toronto bar band to international mega-platinum stadium fillers. Every page is illustrated with stunning concert and candid offstage photography, including gig posters, 7-inch picture sleeves, ticket stubs, and more.
The result is an epic tribute to one of the most influential and admired bands in rock history—in a milestone year. >>
(SOURCE: https://www.amazon.com/gp/product/076038715X )
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Bukszpan, D. (2025). Iron Maiden at 50. London; New York City; Hong Kong: Motorbooks, an imprint of The Quarto Group.
Abstract: << An essential addition to the library of any Iron Maiden fan, this unique look back at the heavy metal giants examines the band’s legacy through the lens of 50 key milestones.
It’s tough to believe Iron Maiden’s been around for a half-century, but author Dan Bukszpan has the receipts. In Iron Maiden at 50, Bukszpan pays tribute to the British metal legends on the occasion of their 50th anniversary by examining 50 of the most significant moments, performances, albums, singles, and personnel decisions from throughout their career. The resulting volume features:
Sturdy hardcover format
Stunning concert and candid offstage photography
Images of memorabilia, including gig posters, 7-inch picture sleeves, concert T-shirts, backstage passes, and more
An Iron Maiden timeline
Complete discography
Bukszpan covers everything down through the decades:
Bassist Steve Harris founding the band in East London
Their first independent EP
Early success in Japan
Numerous personnel changes that resulted in the current stable lineup
Groundbreaking tours
The band’s private Boeing 757, piloted by vocalist Bruce Dickinson
Dickinson’s solo efforts
All the studio albums
In addition, thorough sidebars examine unique aspects of the band’s career, such as the post-Maiden careers of former vocalists Paul Di’Anno and Blaze Bayley, and the 1984 Polish concerts that helped spur the band’s global popularity.
The result is an epic tribute to one of the most influential and admired bands in rock history—in a milestone year. >>
(SOURCE: https://www.amazon.com/dp/0760395047 )
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Burke, D. W. Persistence, coherence and vernacular practice in 2020s heavy metal culture. Ph.D. thesis, Bath Spa University, Bath.
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Cardwell, T. (2017). Still life and death metal: painting the battle jacket. Ph.D. thesis, University of the Arts London (United Kingdom), Ann Arbor.
Abstract: This thesis aims to conduct a study of battle jackets using painting as a recording and analytical tool. A battle jacket is a customised garment worn in heavy metal subcultures that features decorative patches, band insignia, studs and other embellishments. Battle jackets are significant in the expression of subcultural identity for those that wear them, and constitute a global phenomenon dating back at least to the 1970s. The art practice juxtaposes and re-contextualises cultural artefacts in order to explore the narratives and traditions that they are a part of. As such, the work is situated within the genre of contemporary still life and appropriative painting. The paintings presented with the written thesis document a series of jackets and creatively explore the jacket form and related imagery. The study uses a number of interrelated critical perspectives to explore the meaning and significance of the jackets. Intertextual approaches explore the relationship of the jackets to other cultural forms.
David Muggleton’s ‘distinctive individuality’ and Sarah Thornton’s ‘subcultural capital’ are used to emphasise the importance of jacket making practices for expressions of personal and corporate subcultural identity. Italo Calvino’s use of postmodern semiotic structures gives a tool for placing battle jacket practice within a shifting network of meanings, whilst Richard Sennett’s‘material consciousness’ helps to understand the importance of DIY making practices used by fans. The project refers extensively to a series of interviews conducted with battle jacket makers between 2014 and 2016. Recent art historical studies of still life painting have used a materialist critique of historic works to demonstrate the uniqueness of painting as a method of analysis. The context for my practice involves historical references such as seventeenth century Dutch still life painting. The work of contemporary artists who are exploring the themes and imagery of extreme metal music is also reviewed.
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