Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Akoto, Philip |
”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik |
2005 |
|
|
|
| Akoto, Philip |
”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik |
2005 |
|
|
|
| Barratt, Claire |
Death Symbolism in Metal Jewellery: Circuits of Consumption from Subculture to the High Street |
2016 |
Global metal music and culture: current directions in metal studies |
|
227-244 |
| Bartosch, Roman (ed) |
Heavy Metal Studies: Lyrics und Intertextualität |
2011 |
|
|
|
| Baulch, Emma |
Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene |
2003 |
Popular Music; Cambridge |
22 |
195-215 |
| Berger, Harris M. |
”Aspects du death metal”. Affect, objet et vécu social de la musique |
2006 |
Volume! La revue des musiques populaires |
5 |
31-51 |
| Berger, Harris M. |
Death metal tonality and the act of listening |
1999 |
Popular Music |
18 |
161-178 |
| Bogue, Ronald |
Violence in Three Shades of Metal : Death, Doom and Black |
2004 |
Deleuze and Music |
|
95-117 |
| Cardwell, Thomas |
Still life and death metal: painting the battle jacket |
2017 |
|
|
|
| Chaker, Sarah |
What is ‘male’ about black and death metal music? An empirical approach |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
147-162 |
