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Addergebroed. (2021). Addergebroed Book I: 2011 – 2021 and Beyond. Zwijndrecht, Belgium: Babylon Doom Cult Records.
Abstract: Addergebroed is an independent Belgian blog on heavy music. To commemorate its 10th birthday in 2021, Babylon Doom Cult Records will publish a 192-page book with a selection of 37 interviews. All interviews have been professionally translated to English. All bands featured in the book:
Acathexis — Afsky — Akhlys — Äkth Gánahëth — Alkerdeel — Asagraum — Beltez — Bezwering — Bütcher — Deus Mortem — Dikasterion — Djevel — Duivel — Elijah Tamu — Entartung — Enthroned — Forbidden Temple — Ish Kerioth — Israthoum — Macabre Omen — Malakhim — Meslamtaea — Michael Rekevics — Misþyrming — Nexion — O — Ossaert — Paragon Impure — Rituals Of The Dead Hand — Sabathan — Tsatthoggua — Ultha — Vaal — Valkyrja — Vital Spirit — Wolvennest — Worsen
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Addergebroed. (2024). Addergebroed Book II: 2021 – 2024. Zwijndrecht, Belgium: Addergebroed; Consouling Sounds; Amor fati Productions.
Abstract: << Addergebroed’s second book features more than 25 exclusive and in-depth interviews in English with artists like Aerdryk & Oerheks – Alex Poole – Askeregn – Beyond Man – Bloodthorn – Circle of Ouroborus – Erzfeynd – Eternity – Faceless Entity – Gärgäntuäh & Udegste – Haunted by Ill Angels – Helleruin – Krieg – Krvna – Lamp of Murmuur – Lord Valtgryftåke – Mactätus – Marthyrium – Mons Veneris – Nartvind – Naxen – Qrixkuor – Svartsyn – Troll – Vemod – Ymir
Publication in conspiracy with Consouling Sounds & Amor fati Productions.
Design & lay-out by Luchtrat.
Release date: 14th of October 2024 >>
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Akoto, P. (2005). ”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik. Münster: Telos-Verl.
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Akoto, P. (2005). ”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik. Ph.D. thesis, Universität Münster, Münster.
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Bartosch, R. (Ed.). (2011). Heavy Metal Studies: Lyrics und Intertextualität. Oberhausen: Schmenk.
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Baulch, E. (2003). Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene. Popular Music; Cambridge, 22(2), 195–215.
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Berger, H. M. (1999). Death metal tonality and the act of listening. Popular Music, 18(2), 161–178.
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Berger, H. M. (2006). ”Aspects du death metal”. Affect, objet et vécu social de la musique. Volume! La revue des musiques populaires, 5(2), 31–51.
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Bogue, R. (2004). Violence in Three Shades of Metal : Death, Doom and Black. In I. Buchanan, & M. Swiboda (Eds.), Deleuze and Music (pp. 95–117). Ediinburgh: Edinburgh University Press.
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