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Addergebroed. (2021). Addergebroed Book I: 2011 – 2021 and Beyond. Zwijndrecht, Belgium: Babylon Doom Cult Records.
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Addergebroed. (2024). Addergebroed Book II: 2021 – 2024. Zwijndrecht, Belgium: Addergebroed; Consouling Sounds; Amor fati Productions.
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Akoto, P. (2005). ”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik. Münster: Telos-Verl.
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Akoto, P. (2005). ”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik. Ph.D. thesis, Universität Münster, Münster.
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Barratt, C. (2016). Death Symbolism in Metal Jewellery: Circuits of Consumption from Subculture to the High Street. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 227–244). New York & London: Routledge.
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Bartosch, R. (Ed.). (2011). Heavy Metal Studies: Lyrics und Intertextualität. Oberhausen: Schmenk.
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Baulch, E. (2003). Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene. Popular Music; Cambridge, 22(2), 195–215.
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Berger, H. M. (1999). Death metal tonality and the act of listening. Popular Music, 18(2), 161–178.
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Berger, H. M. (2006). ”Aspects du death metal”. Affect, objet et vécu social de la musique. Volume! La revue des musiques populaires, 5(2), 31–51.
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Bogue, R. (2004). Violence in Three Shades of Metal : Death, Doom and Black. In I. Buchanan, & M. Swiboda (Eds.), Deleuze and Music (pp. 95–117). Ediinburgh: Edinburgh University Press.
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