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(2025). Into the Void: Life, Death and Heavy Metal (TV Series). Brooklyn, New York: Vice Media Group LLC.
Abstract: Episode 1: Randy Rhoads; 2: Kurt Struebing of NME; 3: Judas Priest on Trial; 4: Chuck Schuldiner of Death; 5: Wendy O. Williams; 6: Iranian Metal Crusade; 7: Ann Boleyn of Hellion; 8: Dimebag Darrell
“SYNOPSIS: INTO THE VOID is a groundbreaking documentary series that explores the epic struggles and the cultural impacts made by Heavy Metal’s most compelling artists. Their intensely personal stories about finding success offer an intoxicating combo of volume and distortion delivered via pulsating tales of murder, addiction, rebellion and redemption.”
(SOURCE: https://press.hulu.com/shows/into-the-void/)
“Delves into the emotional sagas and behind-the-scenes lives of iconic heavy metal bands and artists, offering an intimate look at the towering legends and unforgettable figures in the genre's history.”
(SOURCE: https://www.imdb.com/title/tt35048255/)
See also: https://www.imdb.com/news/ni65469916/
<< 8 bands listed on 8 cassettes in official film series poster: 1) Death (Florida); 2) Judas Priest; 3) N.M.E. (Tacoma, Washington); 4) Pantera; 5) Hellion; 6) Randy Rhoads; 7) Plasmatics; and 8) Confess (Iran).
CREDITS: Helmed by executive producers Evan Husney and Jason Eisener, the co-creators of the hit pro wrestling documentary series “Dark Side of the Ring,” which debuted in 2019 – becoming Vice TV’s most-watched series of all time.>>
Guillermo Garcia, executive producer.
Vice Studios
SOURCE: https://www.hulu.com/series/into-the-void-life-death-and-heavy-metal-07fbab33-fe16-4154-b761-541ff9cc4783
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Addergebroed. (2021). Addergebroed Book I: 2011 – 2021 and Beyond. Zwijndrecht, Belgium: Babylon Doom Cult Records.
Abstract: Addergebroed is an independent Belgian blog on heavy music. To commemorate its 10th birthday in 2021, Babylon Doom Cult Records will publish a 192-page book with a selection of 37 interviews. All interviews have been professionally translated to English. All bands featured in the book:
Acathexis — Afsky — Akhlys — Äkth Gánahëth — Alkerdeel — Asagraum — Beltez — Bezwering — Bütcher — Deus Mortem — Dikasterion — Djevel — Duivel — Elijah Tamu — Entartung — Enthroned — Forbidden Temple — Ish Kerioth — Israthoum — Macabre Omen — Malakhim — Meslamtaea — Michael Rekevics — Misþyrming — Nexion — O — Ossaert — Paragon Impure — Rituals Of The Dead Hand — Sabathan — Tsatthoggua — Ultha — Vaal — Valkyrja — Vital Spirit — Wolvennest — Worsen
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Addergebroed. (2024). Addergebroed Book II: 2021 – 2024. Zwijndrecht, Belgium: Addergebroed; Consouling Sounds; Amor fati Productions.
Abstract: << Addergebroed’s second book features more than 25 exclusive and in-depth interviews in English with artists like Aerdryk & Oerheks – Alex Poole – Askeregn – Beyond Man – Bloodthorn – Circle of Ouroborus – Erzfeynd – Eternity – Faceless Entity – Gärgäntuäh & Udegste – Haunted by Ill Angels – Helleruin – Krieg – Krvna – Lamp of Murmuur – Lord Valtgryftåke – Mactätus – Marthyrium – Mons Veneris – Nartvind – Naxen – Qrixkuor – Svartsyn – Troll – Vemod – Ymir
Publication in conspiracy with Consouling Sounds & Amor fati Productions.
Design & lay-out by Luchtrat.
Release date: 14th of October 2024 >>
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Akoto, P. (2005). ”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik. Ph.D. thesis, Universität Münster, Münster.
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Akoto, P. (2005). ”Menschenverachtende Untergrundmusik?”: Todesfaszination zwischen Entertainment und Rebellion am Beispiel von Gothic-, Metal- und Industrialmusik. Münster: Telos-Verl.
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Barratt, C. (2016). Death Symbolism in Metal Jewellery: Circuits of Consumption from Subculture to the High Street. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 227–244). New York & London: Routledge.
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Bartosch, R. (Ed.). (2011). Heavy Metal Studies: Lyrics und Intertextualität. Oberhausen: Schmenk.
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Baulch, E. (2003). Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene. Popular Music; Cambridge, 22(2), 195–215.
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Berger, H. M. (1999). Death metal tonality and the act of listening. Popular Music, 18(2), 161–178.
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Berger, H. M. (2006). ”Aspects du death metal”. Affect, objet et vécu social de la musique. Volume! La revue des musiques populaires, 5(2), 31–51.
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