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Asbury, L. W. (2024). Indigenous Metal: Rage, Rejects, and the Reconstruction ofIndigenous Metal: Rage, Rejects, and the Reconstruction of CultureCulture. Master's thesis, University of San Francisco, San Francisco.
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Koplow Villavicencio, J. (2023). More than Screams and Distortion: Chilean Metal Against the Ecological Crises and the Extractivist Economic Model. SEM Student News, 19(1).
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Rowe, P. (2023). Youth Activism and Decolonial Metal: Voice of Baceprot and Alien Weaponry as Case Studies. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 137–162). London: Lexington Books.
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Varas-Díaz, N., & Nevárez Araújo, D. (2023). Decolonizing the Mind’s Eye: Images of Resistance in Caribbean Metal Music. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 327–350). London: Lexington Books.
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Varas-Díaz, N., & Nevárez Araújo, D. (2024). Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 140–161). Bristol: Intellect.
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