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Bianciotto, J. (2013). Deep Purple: la saga. Llinars del Vallès: Quarentena.
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Brown, A. R. (2026). Darker Than Blue, the DPAS and Simon Robinson: Master of the Purple Back Catalogue. In Who Do We Think They Are? Deep Purple and Metal Studies (pp. 273–304). Sheffield: Equinox Publishing.
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Brown, A. R. (Ed.). (2024). Who Do We Think They Are? Deep Purple and Metal Studies. Equinox.
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Brown, A. R. (Ed.). (2026). Who Do We Think They Are? Deep Purple and Metal Studies. Sheffield: Equinox Publishing.
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Dickinson, J. (2026). Wizard of the Art: Jon Lord, a Legacy “In Rock” keyboard. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 56–76). Sheffield: Equinox Publishing.
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Ebert, K. (2026). Deep Purple’s Black Knight: The Virtuoso Identity of Ritchie Blackmore in defining the riff-driven heavy metal of “In Rock”. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 33–55). Sheffield: Equinox Publishing.
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Elflein, D. (2026). Flight of the Riff: Distinguishing Hard Rock and Metal in the Seminal Styles of Deep Purple, Led Zeppelin, Uriah Heep, and Black Sabbath. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (pp. 189–209). Sheffield: Equinox Publishing.
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Herbst, J. (2024). Martin Birch – Catalyst: The Pivotal Role of Deep Purple’s Sound Engineer on the Classic Mk. 2 Albums. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (t.b.c.). Equinox.
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Hughes, G., & McIver, J. (2011). Glenn Hughes: the autobiography : from Deep Purple to Black Country Communion. London: Jawbone.
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Hughes, G., & McIver, J. (2012). Glenn Hughes die Autobiografie ; von Deep Purple zu Black Country Communion. Berlin: IP-Verl. Jeske, Mader.
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