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Bayer, G. (2016). Sentimental Comedy and the Heavy Metal Documentary. In G. Riches, D. Snell, B. Bardine, & B. G. Walter (Eds.), Heavy Metal Studies and Popular Culture. New York: Palgrave Macmillan UK.
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Bayer, G. (2017). Metal documentaries: the national, the global, and the cosmopolitan. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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Büttner, C. A., & Wehmeier, H. (2022). Ein Film aus dem Ruhrgebiet? Deindustrialisierungsgeschichte(n) und Körperpolitiken des Metals in “Thrash, Altenessen”. ffk Journal, 7, 15–36.
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Schlotterbeck, J. (2019). A different kind of rock doc: performance, persona and stardom in ”Anvil! The Story of Anvil and Last Days Here”. In G. Bayer (Ed.), Heavy metal at the movies. London & New York: Routledge, Taylor & Francis Group.
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Scott, N. W. R. (2019). From ”Parking Lot to Baghdad”: documentary film and global metal discourse. In G. Bayer (Ed.), Heavy metal at the movies. London & New York: Routledge, Taylor & Francis Group.
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Scott, N. W. R. (2019). Revelation of a documentary triptych: ”Some Kind of Monster”, ”Anvil! The Story of Anvil” and ”Beyond the Lighted Stage”. In G. Bayer (Ed.), Heavy metal at the movies. London & New York: Routledge, Taylor & Francis Group.
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