Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Anselmi, J.J. |
Doomed to fail: the incredibly loud history of doom, sludge, and post-metal |
2020 |
|
|
|
| Bogue, Ronald |
Violence in Three Shades of Metal : Death, Doom and Black |
2004 |
Deleuze and Music |
|
95-117 |
| Bremer, Manuel; Cohnitz, Daniel |
Saint Vitus Dance: The Art of Doom |
2012 |
Black Sabbath and Philosophy: Mastering Reality |
|
87-95 |
| Burke, David |
Esoteric Symbolism in Doom Metal |
2016 |
|
|
|
| Coggins, Owen |
Evil I? Witchfinders and the magical power of ambiguity at stake in doom metal |
2018 |
Metal Music Studies |
4 |
309-328 |
| Hagen, Ross |
A Gothic Romance: Neomedieval Echoes of Fin’amor in Gothic and Doom Metal |
2020 |
The Oxford Handbook of Music and Medievalism |
|
546-563 |
| Hannan, Calder |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
2021 |
Metal Music Studies |
7 |
277-297 |
| Hurley, Gavin F. |
Funeral doom metal as the rhetoric of contemplation: A Burkean perspective |
2022 |
Metal Music Studies |
8 |
69-85 |
| Kitteringham, Sarah |
Extreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore |
2014 |
|
|
|
| Mendelyte, Atene |
The Still, Sad Music of Humanity in Doom Metals Romanticizing Machine |
2017 |
Criticism |
59 |
469-489 |
