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Absentology. (2017). Summoning the black flame. Trepaneringsritualen's music and absolute emptiness. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 148–159). St. Louis: Void Front Press.
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Blake, C. (2017). Dronoclasm or the swarming of angels in endless night. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 10–14). St. Louis: Void Front Press.
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Caron, J. - P. (2017). On the transcendental aesthetics of time stretching. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 128–138). St. Louis: Void Front Press.
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Cascone, K. (2017). Transcendigital imagination. Developing organs of subtle perception. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 28–35). St. Louis: Void Front Press.
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Coggins, O. (2013). Mountains of Silence: Drone Metal Recordings as Mystical Texts. International Journal for the Study of Religion in Society, 2(4), 21–32.
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Coggins, O. (2014). Citation and Recitation in Mystical Scholarship and Om’s Drone Metal. Diskus, Journal of the British Association for the Study of Religion, 16(1), 30–47.
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Coggins, O. (2015). Experience, Practice, Writing: A Methodological Outline Of Drone Metal Research. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 354–365). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Coggins, O. (2015). The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal. Journal of Implicit Religion, 18(2), 209–231.
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Coggins, O. (2016). ‘Record store guy’s head explodes and the critic is speechless!’ Questions of genre in drone metal. Metal Music Studies, 2(3), 291–309.
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Coggins, O. (2017). The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal. In D. L. Kirby, & C. M. Cusack (Eds.), Religion and Media (s.p.). London: Routledge.
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