|
|
al-Soukkary, W. (2024). Egypt’s folk devils? Metal music as a pious alternative for Egyptian metal fans. Metal Music Studies, 10(3), 183–200.
|
|
|
|
Eckerström, P. (2023). The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South. London: Lexington Books.
|
|
|
|
Harbert, B. J. (2013). Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha. In T. Burkhalter, K. Dickinson, & B. J. Harbert (Eds.), The Arab Avant-Garde: Music, Politics, Modernity (pp. 229–272). Middletown: Wesleyan University Press.
|
|
|
|
Olabarria, L. (2019). “When the Land was Milk and Honey and Magic was Strong and True”: Edward Said, Ancient Egypt, and Heavy Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 173–200). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
|
|
