toggle visibility Search & Display Options

Select All    Deselect All
 | 
Citations
 | 
   print
Faulkner, F. (2009). Get your kicks on Route 666, or Why the Devil Has All the Best Tunes: Trekking Through the Darker Side of Heavy Metal Music. In C. Balmain, & L. Drawmer (Eds.), Something Wicked This Way Comes: Essays on Evil and Human Wickedness.. Amsterdam: Rodopi.
toggle visibility
Gibson, D. L. (2022). Mechanical and artificial “nü-horror metal”: The film music of “Resident Evil”. Metal Music Studies, 8(1), 87–108.
toggle visibility
Hein, F. (2006). Rock et religion. Dieu(x) et la musique du Diable. Boulougne.Billancourt: Autour du LIvre.
toggle visibility
Mustamo, A. (2024). Symboleita, pahiksia ja rappiota: Kansallissosialismin ristiriitainen lumo suomalaisessa black metalissa [Symbols, villains and decadence: The contradictory enchantment of National Socialism in Finnish black metal]. KULTTUURINTUTKIMUS, 41(1), 23–40.
toggle visibility
Ostrowski, F. - J. (2019). Vom Teufel zum Satanismus: der Wandel der Teufelsbilder im musikalischen Genre Heavy Metal, 1980-2000. Ph.D. thesis, Universität Wien, Vienna.
toggle visibility
Pack, C. (2017). Invocando a las Tinieblas – Hitler, Heavy Metal and Contemporary Death Sqauds in El Salvador.pdf. Baltimore.
toggle visibility
Reis Alecrim, T. (2021). The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987). Master's thesis, Universidade de São Paulo, São Paulo.
toggle visibility
Scott, N. (2007). God Hates Us All: Kant, Radical Evil and the Diabolical Monstrous Human in Heavy Metal. In N. W. R. Scott (Ed.), Monsters and the Monstrous. Myths and Metaphors of Enduring Evil (pp. 201–212). New York: Rodopi.
toggle visibility
Thomson, A. (2021). Right hand up, left hand down: The New Satanists of rock n’ roll, evil and the underground war on the abject. Metal Music Studies, 7(1), 43–60.
toggle visibility
Trummer, M. (2011). Zerstörer, Trickster, Aufklärer. Die Traditionsfigur Teufel im Heavy Metal zwischen Action, Distinktion und neuer Spiritualität. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 431–443). Münster: Lit.
toggle visibility
Select All    Deselect All
 | 
Citations
 | 
   print