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Faulkner, F. (2009). Get your kicks on Route 666, or Why the Devil Has All the Best Tunes: Trekking Through the Darker Side of Heavy Metal Music. In C. Balmain, & L. Drawmer (Eds.), Something Wicked This Way Comes: Essays on Evil and Human Wickedness.. Amsterdam: Rodopi.
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Gibson, D. L. (2022). Mechanical and artificial “nü-horror metal”: The film music of “Resident Evil”. Metal Music Studies, 8(1), 87–108.
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Hein, F. (2006). Rock et religion. Dieu(x) et la musique du Diable. Boulougne.Billancourt: Autour du LIvre.
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Mustamo, A. (2024). Symboleita, pahiksia ja rappiota: Kansallissosialismin ristiriitainen lumo suomalaisessa black metalissa [Symbols, villains and decadence: The contradictory enchantment of National Socialism in Finnish black metal]. KULTTUURINTUTKIMUS, 41(1), 23–40.
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Ostrowski, F. - J. (2019). Vom Teufel zum Satanismus: der Wandel der Teufelsbilder im musikalischen Genre Heavy Metal, 1980-2000. Ph.D. thesis, Universität Wien, Vienna.
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Pack, C. (2017). Invocando a las Tinieblas – Hitler, Heavy Metal and Contemporary Death Sqauds in El Salvador.pdf. Baltimore.
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Reis Alecrim, T. (2021). The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987). Master's thesis, Universidade de São Paulo, São Paulo.
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Scarbrough, J. E. (2017). Breaking stereotypes and building bridges: Nihilism, lament, and theodicy within the extreme metal music culture. In M. O'Connor, H. - A. Kim, & C. & Labriola (Eds.), Music, theology, and justice (pp. 117–140). Lanham, Maryland, USA: Lexington Books.
Abstract: Abstract for entire book:
“Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically—for good or ill, harming and healing. This volume considers the social practice of music from a Christian point of view. Using a variety of methodological perspectives, the essays explore the ethical and doctrinal implications of music-making.”
[SOURCE: https://www.bloomsbury.com/us/music-theology-and-justice-9781498538671/ \
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Scott, N. (2007). God Hates Us All: Kant, Radical Evil and the Diabolical Monstrous Human in Heavy Metal. In N. W. R. Scott (Ed.), Monsters and the Monstrous. Myths and Metaphors of Enduring Evil (pp. 201–212). New York: Rodopi.
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Thomson, A. (2021). Right hand up, left hand down: The New Satanists of rock n’ roll, evil and the underground war on the abject. Metal Music Studies, 7(1), 43–60.
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