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Abbey, E. J., & Helb, C. (Eds.). (2014). Hardcore, punk, and other junk: aggressive sounds in contemporary music. Lanham: Lexington Books.
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Addergebroed. (2021). Addergebroed Book I: 2011 – 2021 and Beyond. Zwijndrecht, Belgium: Babylon Doom Cult Records.
Abstract: Addergebroed is an independent Belgian blog on heavy music. To commemorate its 10th birthday in 2021, Babylon Doom Cult Records will publish a 192-page book with a selection of 37 interviews. All interviews have been professionally translated to English. All bands featured in the book:
Acathexis — Afsky — Akhlys — Äkth Gánahëth — Alkerdeel — Asagraum — Beltez — Bezwering — Bütcher — Deus Mortem — Dikasterion — Djevel — Duivel — Elijah Tamu — Entartung — Enthroned — Forbidden Temple — Ish Kerioth — Israthoum — Macabre Omen — Malakhim — Meslamtaea — Michael Rekevics — Misþyrming — Nexion — O — Ossaert — Paragon Impure — Rituals Of The Dead Hand — Sabathan — Tsatthoggua — Ultha — Vaal — Valkyrja — Vital Spirit — Wolvennest — Worsen
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Addergebroed. (2024). Addergebroed Book II: 2021 – 2024. Zwijndrecht, Belgium: Addergebroed; Consouling Sounds; Amor fati Productions.
Abstract: << Addergebroed’s second book features more than 25 exclusive and in-depth interviews in English with artists like Aerdryk & Oerheks – Alex Poole – Askeregn – Beyond Man – Bloodthorn – Circle of Ouroborus – Erzfeynd – Eternity – Faceless Entity – Gärgäntuäh & Udegste – Haunted by Ill Angels – Helleruin – Krieg – Krvna – Lamp of Murmuur – Lord Valtgryftåke – Mactätus – Marthyrium – Mons Veneris – Nartvind – Naxen – Qrixkuor – Svartsyn – Troll – Vemod – Ymir
Publication in conspiracy with Consouling Sounds & Amor fati Productions.
Design & lay-out by Luchtrat.
Release date: 14th of October 2024 >>
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Allett, N. (2013). The extreme metal ‘connoisseur’. In T. Hjelm, K. Kahn-Harris, & M. LeVine (Eds.), Heavy metal: controversies and countercultures (pp. 166–181). Bristol: Equinox.
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Aquino Ruiz, F. A., Laura. (2021). Relación e interacción entre la música académica contemporánea y el Metal Extremo. Bachelor's thesis, Escuela Universitaria de Artes Totales, Madrid.
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Bahy, C. (2022). Lugar de mulher é onde ela quiser inclusive no metal extremo: mulheres, metal extremo, transgressão e resistência. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 75–93). São Paulo: Pimenta Cultural.
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Bahy, C., dos Passos, C., Khalia, L. M. G., & Barchi, R. (Eds.). (2021). Música Extrema. Ruídos, imagens e sentidos. São Paulo: Pimenta Cultural.
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Barchi, R. (2021). O que a Música Extrema tem a dizer às ecologias? In Diálogos com a música extrema (pp. 221–246). Porto Alegre: editorafi.org.
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Barchi, R. (Ed.). (2021). Diálogos com a música extrema. Porto Alegre: editorafi.org.
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Beauchamp, C. (2021). Gender and Extreme Metal: Understanding Gender Relations in the Montreal Extreme Metal Scene With Schippers' Gender Framework. Master's thesis, Concordia University, Montreal.
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