Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Barratt-Peacock, Ruth; Hagen, Ross (eds) |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
2019 |
|
|
|
| Bourre, Jean-Paul |
Les profanateurs : la nébuleuse de tous les périls ; nouvelle droite, skinheads, rock metal, néonazis |
1997 |
|
|
|
| Dornbusch, Christian; Killguss, Hans-Peter |
Unheilige Allianzen: Black Metal zwischen Satanismus, Heidentum und Neonazismus |
2005 |
|
|
|
| Dyck, Kirsten |
”The Blood of my Ancestors” – Nostalgia in White-Supremacist Hate Rock |
2012 |
Böse Macht Musik: zur Ästhetik des Bösen in der Musik |
|
131-140 |
| Etter Sr., Gregg W. |
Hip-Hop, Narcocorrido, and Neo-Nazi Hate Rock: A Comparison of Alienated Criminal Groups |
2009 |
Journal of the Institute of Justice and International Studies |
9 |
98-112 |
| Fletcher, Kris F.B. |
Vergil’s Aeneid and Nationalism in Italian Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
23-52 |
| Goodrick-Clarke, Nicholas |
White Noise and Black Metal |
2003 |
Black Sun: Aryan Cults, Esoteric Nazism, and the Politics of Identity |
|
193-212 |
| Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark (eds) |
Heavy metal: controversies and countercultures |
2013 |
|
|
|
| Hoad, Catherine |
Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
300-308 |
| Hochhauser, Sharon |
The marketing of Anglo-identity in the North American hatecore metal industry |
2011 |
Metal rules the globe: heavy metal music around the world |
|
161-179 |
