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Apaza Terceros, C. J.(J.). (2024). Chicas heavies: La mujer músico en el metal boliviano. In M. Saavedra, & R. Tapia (Eds.), La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano (pp. 99–134). Special Issue of Perspectivas y Resistencias Musicales 2 (2).
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Bahy, C. (2022). Lugar de mulher é onde ela quiser inclusive no metal extremo: mulheres, metal extremo, transgressão e resistência. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 75–93). São Paulo: Pimenta Cultural.
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Burns, L. (2023). Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995). In W. Moylan, L. Burns, & M. Alleyne (Eds.), Analyzing Recorded Music: Collected Perspectives (323–338). Routledge.
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Kosek, J. (2021). Transfigurations of the “Emploi” and Artistic Manifestations of Female (Heavy) Metal Singers. Annales Universitatis Paedagogicae Cracoviensis, 13(2), 35–46.
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Nenadalová, J., Stašová, G., & Vrzal, M. (2022). A Man Behind Everything? Motivational Sources of Metal Listening Among Female Audiences. Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 30, 101–121.
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Oliveira, S. R. de, & Brayner, T. N. (2022). Feminilidades extremas: gênero, subjetivação e resistência nas letras de autoria de mulheres no metal extremo. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 344–380). São Paulo: Pimenta Cultural.
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Strauss, S. (2025). Song of the Siren, Cry of the Warrior: An Exploration of Song Structures and Female Vocal Techniques in Power Metal. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 327–340). Abingdon; New York: Routledge.
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Welles, P. (2024). Heavy Metal als (Frauen-)Beruf und Bildungsprozess. Magazin erwachsenenbildung.at. Das Fachmedium für Forschung, Praxis und Diskurs, 51, 123–131.
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