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Bénard-Goutouly, N. (2013). Le métal folklorique, entre tradition et modernité: sources d’inspiration, rites et postures idéologiques. Rosieres en Haye: Camion Blanc.
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Castillo Bernal, S. (2022). Exotismo mediático. Notas sobre el Heavy Metal de inspiración prehispánica en México. Cuicuilco. Revista de ciencias antropológicas, 29(85), 41–72.
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Fejes, J. (2022). The Variety of Similarity: Hungarian High Literature, History, and Folklore in the Lyrics of Dalriada. Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 30, 23–38.
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Fredriksson, D. (2021). “Not Folk Metal, but...” Online intercultural musicking in “the Grove”. Svensk tidskrift för musikforskning [Swedish Journal of Music Research], 103, 111–126.
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Giosuè, F. (2013). Folk metal : dalle origini al Ragnarök. Falconara Marittima: Edizioni crac.
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Hofmann, A. (2020). Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres. Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak, 15(1), 73–91.
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Lliulli, M. Á. (2024). Panorama general del folk metal en Latinoamérica y en Bolivia. In R. Tapia (Ed.), Indigenismo, Fusión y Folk Metal en Bolivia (pp. 171–196). Special Issue of Perspectivas y Resistencias Musicales 2 (1).
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Lucas, O. R. (2025). Traditional Instruments in Global Folk Metal. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 203–216). Abingdon; New York: Routledge.
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Marjenin, P. A. (2014). The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani. Master's thesis, Kent State University, Kent.
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Mulvany, A. P. (2000). ”Reawakening pride once lost”: indigeneity and European folk metal. Ph.D. thesis, Wesleyan University, Middletown.
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