toggle visibility Search & Display Options

Select All    Deselect All
 | 
Citations
 | 
   print
González-Martínez, S. (2023). An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 33–66). London: Lexington Books.
toggle visibility
Goossens, D., Varas-Díaz, N., & Banchs, E. (2022). Lost in the field: Lessons from metal music studies fieldwork in the Global South. Metal Music Studies, 8(2), 163–182.
toggle visibility
López Ramírez Gastón, J. I. (Ed.). (2023). Passport to Hell. Critical Studies on Peruvian Metal. Lanham: Lexington Books.
toggle visibility
Miranda Bonilla, S. (2022). TENSIONES NORTE-SUR EN LOS ESTUDIOS DE METAL. DISCURSOS COMO FORMA DE INTERVENCIÓN, VISIBILIZACIÓN Y DENUNCIA A PARTIR DE UNA GUERRA INTERMINABLE. Metal de Habla Hispana, 1, 105–107.
toggle visibility
Nevárez Araújo, D., Varas-Díaz, N., Wallach, J., & Clinton, E. (2023). Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies. In Defiant Sounds. Heavy Metal Music in the Global South (pp. 1–6). London: Lexington Books.
toggle visibility
Nevárez Araújo, D., Varas-Díaz, N., Wallach, J., & Clinton, E. (2023). Metal Music in the Distorted South: A Call for Defiance and Reflection. In Defiant Sounds. Heavy Metal Music in the Global South (pp. 9–30). London: Lexington Books.
toggle visibility
Sandoval Trigo, G. M. (2022). Derecho y heavy metal: Fiat iustitia, et pereat mundus. Lenguas Radicales, 1(4), 19–27.
toggle visibility
Varas-Díaz, N. (2022). El Sur Distorsionado como un cambio paradigmático para el metal y su estudio. Lenguas Radicales, 1(4), 28–41.
toggle visibility
Varas-Díaz, N., Araújo, D. N., & Rivera-Segarra, E. (Eds.). (2020). Heavy metal music in Latin America: perspectives from the distorted south. Lanham: Lexington Books.
toggle visibility
Varas-Díaz, N., Scaricaciottoli, E., & Nevárez Araujo, D. (2020). Introduction: A Window into Heavy Metal Scholarship in the Global South. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. Chicago: University of Chicago Press.
toggle visibility
Select All    Deselect All
 | 
Citations
 | 
   print