Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Abbott, Amory |
Old-Growth Gothic : Dark Romanticism and the Aesthetics of Cascadian Black Metal – an Artist’s Perspective |
2026 |
Meta/Metal Open Questions in Metal Studies |
|
170-191 |
| Åshede, Linnea; Foka, Anna |
Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
97-114 |
| Bardine, Bryan A. |
Metal and Gothic Literature: Examining the Darker Side of Life (and Death) |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
572-581 |
| Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
| Hagen, Ross |
A Gothic Romance: Neomedieval Echoes of Fin’amor in Gothic and Doom Metal |
2020 |
The Oxford Handbook of Music and Medievalism |
|
546-563 |
| Kärki, Kimi |
Forging Metal: The Kalevala In The Finnish Heavy Metal Performace |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
131-137 |
| Mombelet, Alexis |
Metal versus gothic |
2005 |
Societes |
88 |
135-138 |
| Peláez Sánchez, Miguel Antonio |
El concepto de muerte en el rock gótico |
2006 |
Logos |
10 |
66-74 |
| Quires, Vik J. |
Thine Voice is Oh So Sweet: Gothic Metal and Vocal Timbre Diversity |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
341-353 |
| Riekki, Matti |
Täältä Pohjoiseen: Sentencedin Tarina |
2014 |
|
|
262 |
